Cadence Weapon shares a glimpse of his latest work with a new single "When It's Real" featuring LA’s soul star Jarell Perry over a thumping golden age production by Muneshine (D-Sisive, Ghettosocks).
Check out "When It's Real" being premiered on Vice/Noisey
Cadence Weapon teams up with Shad and producer/DJ Skratch Bastid on the upbeat cut "Homie", the single coming from two of Canada’s finest MCs will be released on Shad + Skratch Bastid's upcoming collaborative EP "The Spring Up" due out this month.
Listen to Cadence Weapon's remix of gal pal Mozart's Sister's "Don't Leave It To Me". Rollie brings up the tempo and even drops a verse that is sure to keep this one on repeat
Congrats to Cadence Weapon for winning Rap/Hip Hop Artist of the Year at the SiriusXM Indies. The awards took place on Friday, March 22 at the Kool Haus in Toronto which included a scorching live performance by Cadence Weapon. Cadence Weapon known for consistently pushing the boundaries and always producing art that's wholly his own, continues to receive heaps of accolades and praise for his Polaris nominated album, Hope In Dirt City.
Cadence Weapon is back with a new video for his hip hop anthem, "Hype Man," up now on Exclaim! and Stereogum who describes the clip, "Cadence adapts the personas of both a star rapper and his hapless, nameless hypeman sidekick...illustrating a vast divide in the rap power dynamic." Co-directed by Rollie himself and award-winning director George Vale, the video is a compelling and cinematic look at the seedier, darker side of hip-hop, exploring the plights and demise of a hype man.
Happy Holidays UC friends and family! To celebrate this fabulous time of year with you all, we’re having a super special. Welcome to the Upper Class 4/20 SALE. Grab any 4 CDs, 4 MP3's for $20.00 or 4 T-Shirts for $40.00. Vinyl Albums are $15.00 you can’t beat that, so it’s *one week only*
Aussie garage duo DZ Deathrays get the Cadence Weapon remix treatment turning "Dollar Chills" into a beat-heavy track that blends minimal synths with heavily altered vocals. Sorta like those jive rhythm trax breakdancing records from the ‘80s crossed with nu shooz.